Time for Tea

Introduction

Time for Tea is a collaboration with UCL associate professor Dr Karen Schucan Bird and four participants with lived experience of domestic abuse. The project has looked at how informal networks – friends, families and work colleagues – can best support those experiencing domestic abuse, and how to communicate this advice to the general public.

The project arose out of UCL Culture's Trellis Art Programme, which explores ways in which creative practice can support public engagement in academic research. The title alludes to both the key concept in the project – the value of meeting up for a cup of tea – and to the workshop process that the project followed.

We are hugely grateful to all of our participants for their honesty, courage and willingness to work with us, and for teaching us the importance of just listening.

Phase 1

Output Arts often use a simple art-making activity in workshops as an ice-breaker and to creatively capture participants' thoughts. In Time for Tea, this was tracing pictures of cups, biscuits and cakes with carbon paper. This activity connected everyone in a shared activity and provided a focus of attention as we moved through sometimes emotional conversations.

This tracing activity produced a series of blue-and-white drawings that both tied in with our theme and alluded to classic Delft tea sets. These were collected into a design for a tablecloth, combining the drawings with handwritten reflections from our participants. This table cloth then became a talking point for a series of pop-up public engagement events involving biscuits, cups of tea and a tracing exercise on coasters. Through these events we were able to talk about what had been learned in the workshops.

Phase 2

During the workshops in phase 1, the idea was raised by one of the participants of making a 'zine gathering everything that came out of the workshops. With the support of a grant from the Economic and Social Research Council, the project was extended to develop this idea into a practical guide to supporting someone experiencing domestic abuse.

In a series of further workshops, the content of the 'zine was structured and new artwork created. The resulting booklet combines this artwork and the direct experiences of the participants with best practice arising out of academic research. The blue carbon-paper aesthetic has been combined with typewriter-styled text to produce a work that both connects to the original tablecloth and references the handmade aesthetic of 1980s 'zines.

In addition, Output Arts have gathered some of the reflections from the workshops in a spoken-word audio installation: a round table, covered in a blue-and-white tablecloth stands in a space. Among the drawings on the tablecloth are four empty saucers. The audience are invited to place a cup on one of the saucers. In doing so, the cups begin to speak of determination and courage in the words of our participants.

Resources